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Instruments

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Harmonium/Peti/Vaja/Baja

It is believed that the Portuguese brought the reed-organ or harmonium to India in the 17th ' century. It began as a pedal harmonium but soon evolved into the present hand- pumped version. The tuning of the harmonium is done at the manufacturing stage. It is usually placed on the floor with the player sitting cross-legged before it. The player uses one hand to contract and release the bellows and the other to play the keys. Bellows may open from the top of the harmonium or from the side.

The rectangular cabinet contains two bellows, the outer and the inner, which force air into the sound-box and across the brass reeds which are fitted onto a board. Each reed plays a single note. The base of the sound-box comprises a board or kisti for controlling the air-supply to the sound-box with the help of stoppers. The reeds, or sur, are kharaj, bass; nar, male; and madi, female. These three timbres are described as 'lines' and present the three octaves mandra, madhya and taar, used by the Indian musician. The reed- board is joined to another board called the jali through which the air passes after going through the reeds. The jali creates a separate air channel for each reed. White keys are major notes and black ones are sharps or flats. There are twelve keys per octave, fixed in ascending order on the board.

Bajas vary greatly in appearance-slathered with garish paint or inlaid with ivory on dark polished wood. Folk artistes paint the harmonium in bright colours and attach ribbons, scarves or tassels. Sometimes the player attaches a strap to the handles which he slings over one shoulder and around the neck so that he can play while standing or walking. This strap may be elaborate, with studs and embroidery. Most players say that while they redecorate from time to time, they would rather have their ancient beat-up instrument than a new one.

Classical musicians look down on the harmonium. For years, it was not allowed to accompany singers on All India Radio, but notwithstanding its less-than-noble pedigree, the singers of kirtan and folk songs have taken it to their hearts

 

Source: santabanta.com

 

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